Illuminati Occult Symbolism in the 2012 London Olympics’ Opening Ceremony

Pyramids encompass the illuminated stadium.

With the many references in popular culture to a terrorist attack at the 2012 Olympic Games in London, I watched the opening ceremony with much anticipation.  Not that I expected to see anything like that happen, not during the opening ceremony, anyway.    I have to admit, I’m not much into the Olympic Games and this is the first opening ceremony I have ever sat down to watch. Another first is the level of security at the games:  6 surface to air missile sites, and about 10,000 each of military personnel, police, and independent contractors.   As for the show itself, it kicked off to a great start but petered out with its cabaret style run through the decades, something you can always find your local junior high school doing on cable access.
The first symbol to jump out at me was the lone tree on top of a hill.  I suppose the “hill” represents the hilly landscape of parts of the UK but it is important to remember that Illuminati symbols often have two meanings, one for themselves and one for the masses.  In this instance, the hill, with it’s walking ramps, is fashioned after a ziggurat and the tree is the tree of knowledge in the Garden of Eden.  The entire basis of the elite’s Occult Mystery Religion is the knowledge given to Adam and Eve.  These “so called secrets of satan” (Rev 2:24), are suppose to make one equal to God.  The fact that this knowledge is placed on top  of a  ziggurat is no surprise as Satan is always trying to make himself the most high by using mountains, pyramids, zigguarats and towers to ascend himself.

The Tree of Knowledge atop a ziggurat is part of the set throughout the opening ceremony.

Descending from the tree of knowledge.

After leaving the agrarian world (Garden of Eden), we find ourselves in the Industrial Revolution (Babylon) as seen in the next picture.  What are smoke stacks to us are something entirely different to the Illuminati.  They are Asherah poles.  Asherah is the pagan moon goddess that originated in Ancient Babylon under the rule of Nimrod and his wife, Semiramus.  The pole itself is a phallic symbol representing the Sun God.  Usually there is a circle at the bottom representing the female, for the union of man and  woman.  God says of Asherah poles, “Do not set up any wooden Asherah pole beside the altar you build to the Lord your God”  (Duet. 16:21) and “Ahab also made an Asherah pole and did more to arouse the anger of the Lord, the God of Israel, than did all the kings of Israel before him” (1 Kings 16:33) and

This is what you are to do to them: Break down their altars, smash their sacred stones, cut down their Asherah poles and burn their idols in the fire. (Duet. 7:5)

Worshipping around the Asherah Poles.

After the industrial age we enter a hospital of sick children where the celebration of pop culture begins with references to fictional villans such as Voldermort and Cruella Deville.  After God destroyed Babylon, scattered its people and jumbled languages, the Mystery Occult Religion did not disappear.  It is alive and thriving in today’s American and British pop culture, hence the  focus on magic with a JK Rowling appearance and the overemphasis on Disney, including Mary Poppins as well as the overdone “through the decades” style cabaret.

Black and White Masonic Costumes Stand Out.

But wait, what about that giant baby head?

It looks mummified.

I’m not quite sure what to make of this.  Everyone is facing the giant baby head as if in reverence.  Could it represent Tammuz, the reincarnation of Nimrod and the first antichrist?  Why doesn’t it have a body?  Is this signaling some kind of birth?  Whatever it is meant to convey, the message surely comes off creepy.
These are just some of the symbols I thought clearly stood out during the show.  At first glance they seem innocent enough because the illuminati hide their symbols in plain sight. Once you know what to look for though, the symbols mostly tell the same stories over and over again from a dark and twisted point of view.

Source: The Mountain Flame

Illuminati Occult Symbolism in London’s Olympic Closing Ceremony

I tuned into the closing ceremony during the performance of “What Makes You Beautiful” on a black and white patterned floor and settled into what I expected to be a super symbolic ride through loony land. Instead, the closing ceremony was an unremarkable lip syncing celebration of pop-culture that carried over from the opening ceremony.

British Celebrities popped up, dead and alive, one after the other to entertain the masses, making them feel safe and free and forget about the mega security initiative undertaken for the games and how much of that big brother equipment will remain intact once everyone packs up and goes home.

Black and white masonic pattern.

Black and white masonic theme continued. 

Crown on top of an all seeing eye?

Black and white masonic theme.

After a few performances, the circus-like show continues with the athletes coming into the stadium as ONE instead of as separate countries, as they usually do.

This focus on bringing the world together peacefully is a traditional Olympic theme, but it is still hard to ignore the militarized zone surrounding this peaceful gathering.

The aim is to normalize a police state presence by mixing it with feel good entertainment.

For example, a militarized formation carried in the larger than life billboards of the British supermodels. But is there really any room for freedom in a heavily surveillanced society?

Notice the military personnel on alert.

Next a bunch of transhumanistic dancers dressed in military camouflage build a white (illuminated) pyramid. Here the masonic theme is continued.

The pyramid represents the hierarchical structure of the Occult religion. The elite on the top, the masses at the bottom and the patrolling police and military in between.

Participating countries’ flags are strategically placed behind the pyramid, suggesting this religion has global reach.

Occult Pyramid

Pop Culture spreading its tentacles across England.

What could be called a tribute to John Lennon was also a chance to play the New World Order’s theme song, Imagine. It seems the lyrics go against what the games celebrate – national pride and healthy competition.

Instead, the late John Lennon wants us to imagine a world with no countries, where nation states lose their sovereignty and submit to a world government. A world with no possessions, no Heaven no Hell and no God.

Sounds a lot like a communist, socialist, military dictatorship.

Another appearance that I thought was quite fitting was by the Illuminati puppet Jessie J.

She performed her hit song, Pricetag, which shot her to stardom and which appears on the surface to be about artists creating music for music’s sake and not for the money. But the real message is that it’s all about indoctrination, about shaping the youth’s attitudes and values through influential pop culture.

Jessie J singing “Price Tag” in a Rolls Royce. 

The celebration of fame and fortune.

What was the most obvious and oldest occult symbol in the ceremony was the Phoenix rising from the flames.

“The Phoenix … is believed to be a divine bird going back to Egypt … This Phoenix destroys itself in flames and then rises from the ashes. Most occultists believe that the Phoenix is a symbol of Lucifer who was cast down in flames and who they think will one day rise triumphant.” [Bill Schnoebelen, quoted by Dr. C. Burns, "Masonic and Occult Symbols Illustrated", p. 123]

Lucifer Rising

In Beijing we had the fertilization of an egg, last month we took a stroll through the Garden of Eden and Babylon, and then we saw that egg turn into a giant baby head. Earlier tonight, as a giant octopus stretched its tentacles throughout the world from London, reaching a billion people, Lucifer rose from the place where you often find him hiding in plain sight – Popular Culture.

Although the game’s celebrations may seem ominous with their sinister symbols and satanic references, we know that even if they are heralding the birth of the Antichrist, the emergence of the New World Order or the rise of Lucifer himself, God is always in control and Satan’s time is short. Their symbols have no power over us.


Source:  Mountain Flame